- BPM
- 105
- Key
- A Major
- Camelot
- 11B
Masquerade Suite: Nocturne - Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov Information
- Acousticness
- 80%
- Danceability
- 22%
- Energy
- 11%
- Instrumentalness
- 1%
- Liveness
- 9%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 11%
- Popularity
- 23%
- Loudness
- -28.047 dB
Summary
"Masquerade Suite: Nocturne" by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov was released on October 1, 1996. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aram Khachaturian, Andre Anichanov, Dmitry Yablonsky's "Khachaturian, A.I.: Spartacus, Suite No. 4 / Masquerade / Circus" album is number 6 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Masquerade Suite: Nocturne is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Masquerade Suite: Nocturne BPM
We consider the tempo marking of Masquerade Suite: Nocturne by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Masquerade Suite: Nocturne Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 73 BPM | |
 | Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | |
 | Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 102 BPM | |
 | Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | |
 | Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | |
 | Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | |
 | Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | |
 | Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |
- ISRC
- HKI199610406
- Label
- L-M Records/RCA Records
Section: 0.6394500732421875
End: 0.6428120136260986