"Double Bass Concerto, Op. 3: I. Allegro" by Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs was released on July 15, 2014. With this song being about 5 minutes long, at 5:05, "Double Bass Concerto, Op. 3: I. Allegro" by Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Iván Sztankov, Janos Kovacs's "Koussevitzky: Double Bass Concerto / Paganini: Moses Fantasy (Arr. for Double Bass and Piano)" album is number 14 out of 16. On top of that, Hungary appears to be the country where this track was created. Double Bass Concerto, Op. 3: I. Allegro is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Double Bass Concerto, Op. 3: I. Allegro by Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 8 (orch. Gal) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | A Minor | 1 | 8A | 146 BPM | ||
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor | Henryk Wieniawski, Itzhak Perlman | D Minor | 3 | 7A | 106 BPM | ||
The Four Seasons - Autumn in F Major, RV. 293: II. Adagio molto | Antonio Vivaldi, Adrian Chandler, La Serenissima | D Major | 0 | 10B | 139 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Vitali: Chaconne in G Minor | Tomaso Antonio Vitali, Ji Young Lim, Dong Hyek Lim | G Minor | 2 | 6A | 143 BPM | ||
Bottesini: Double Bass Concerto in B Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 1 | 9B | 167 BPM | ||
Il destino di Rosy | Andrea Farri, Budapest Symphony Orchestra | F Major | 4 | 7B | 140 BPM | ||
Piano Concerto No. 2 in A Minor, Op. 85: III. Rondo: Allegro moderato | Johann Nepomuk Hummel, Hae Won Chang, Budapest Symphony Orchestra, Tamas Pal | A Minor | 1 | 8A | 80 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
6 Turkish Folk Songs: No. 6. Bir dalda iki elma | Muammer Sun, Remziye Alper-Tanrikulu, Budapest Symphony Orchestra, Hikmet Şimşek | D Major | 2 | 10B | 90 BPM |
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