Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit's '3 Pieces in Old Style: No. 3. Menuetto II' came out on February 7, 2012. The duration of 3 Pieces in Old Style: No. 3. Menuetto II is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. 3 Pieces in Old Style: No. 3. Menuetto II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Penderecki: Sinfoniettas - Oboe Capriccio". In this album, this song's track order is #3. In terms of popularity, 3 Pieces in Old Style: No. 3. Menuetto II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Pieces in Old Style: No. 3. Menuetto II by Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on La ci darem from Mozart's Don Giovanni, Op. 2 *: Theme: Allegretto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Major | 0 | 7B | 119 BPM | ||
Festival March, B. 88, Op. 54 | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D♭ Major | 2 | 3B | 89 BPM | ||
Orchestral Suite No. 1, RT VI/6: II. Berceuse | Frederick Delius, BBC Concert Orchestra, John Andrews | G Major | 0 | 9B | 133 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Pantomime | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 169 BPM | ||
Przebudzenie Jakuba (The Awakening of Jacob) | Krzysztof Penderecki, Warsaw Philharmonic Orchestra, Antoni Wit | F♯ Minor | 1 | 11A | 78 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Auf der Alm (On the Alpine Pasture) - | Richard Strauss, Staatskapelle Weimar, Antoni Wit | E♭ Major | 1 | 5B | 170 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM |
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