"Festival March, B. 88, Op. 54" by Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit was released on December 19, 1994. With this song being about 5 minutes long, at 4:52, "Festival March, B. 88, Op. 54" by Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 8 in Dvorak: Hero's Song (A) / Czech Suite / Hussite Overture by Antonín Dvořák. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Festival March, B. 88, Op. 54 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Festival March, B. 88, Op. 54 by Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Glazunov: Violin Concerto in A Minor, Op. 82: II. Andante sostenuto | Alexander Glazunov, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | A♭ Major | 2 | 4B | 108 BPM | ||
Má vlast (My Country): No. 5, Tábor | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | D Minor | 0 | 7A | 121 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): VII. The Conciliator | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 79 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace | Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit | B♭ Major | 2 | 6B | 92 BPM | ||
Symphony No.3 In E Flat, Op.10, B. 34: 3. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E♭ Major | 3 | 5B | 101 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM |
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