"Dreimal Tausend Jahre, Op. 50a" by Arnold Schoenberg, Simon Joly Chorale, Robert Craft was released on October 28, 2008. The duration of Dreimal Tausend Jahre, Op. 50a is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Dreimal Tausend Jahre, Op. 50a's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 8 in the song's album "Schoenberg, A.: Violin Concerto / Ode To Napoleon / A Survivor From Warsaw". In this album, this song's track order is #3. Dreimal Tausend Jahre, Op. 50a is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dreimal Tausend Jahre, Op. 50a by Arnold Schoenberg, Simon Joly Chorale, Robert Craft having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude a l'apres-midi d'un faune, L. 86 | Claude Debussy, Valery Gergiev, London Symphony Orchestra | D♭ Major | 0 | 3B | 77 BPM | ||
Suite, Op. 29: 4. Gigue | Arnold Schoenberg, Yvonne Loriod, Marcel Naulais, Guy Deplus, Louis Montaigne, Jacques Ghestem, Serge Collot, Jean Huchot, Pierre Boulez | D♭ Major | 3 | 3B | 107 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Spiegel im Spiegel - Version for Violin and Piano | Arvo Pärt, Vladimir Spivakov, Sergej Bezrodny | F Major | 0 | 7B | 71 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
Langsamer Satz | Anton Webern, Novus Quartet | E♭ Major | 1 | 5B | 90 BPM | ||
String poetic: II. Nocturne | Jennifer Higdon, Jennifer Koh, Reiko Uchida | C Major | 1 | 8B | 91 BPM | ||
Debussy: Fantaisie for Piano and Orchestra, CD 72, L. 73: I. Andante - Allegro | Claude Debussy, François-René Duchâble, Orchestre National Du Capitole De Toulouse, Michel Plasson | D Major | 1 | 10B | 170 BPM |
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