Arnold Schoenberg, Yvonne Loriod, Marcel Naulais, Guy Deplus, Louis Montaigne, Jacques Ghestem, Serge Collot, Jean Huchot, Pierre Boulez's 'Suite, Op. 29: 4. Gigue' came out on February 2, 2015. Suite, Op. 29: 4. Gigue is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Pierre Boulez's "Le Domaine Musical" album is number 11 out of 156. On top of that, France appears to be the country where this track was created. In terms of popularity, Suite, Op. 29: 4. Gigue is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Suite, Op. 29: 4. Gigue by Arnold Schoenberg, Yvonne Loriod, Marcel Naulais, Guy Deplus, Louis Montaigne, Jacques Ghestem, Serge Collot, Jean Huchot, Pierre Boulez to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
String Trio, Op. 45: 1st Episode | Arnold Schoenberg, Walter Levin, Peter Kamnitzer, Lee Fiser | F Major | 1 | 7B | 130 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Dvorák: From the Bohemian Forest, Op. 68: V. Silent Woods | Antonín Dvořák, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | D♭ Major | 1 | 3B | 84 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Pelléas und Mélisande, Op. 5: VI. Langsam | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 117 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Five Pieces For Violin And Piano: I. Elegia (Andante Larghetto) | Valentin Silvestrov, Duo Gazzana | E♭ Major | 0 | 5B | 74 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM |
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