Prelude a l'apres-midi d'un faune, L. 86 by Claude Debussy, Valery Gergiev, London Symphony Orchestra

Song Analysis

Audio information that is featured on Prelude a l'apres-midi d'un faune, L. 86 by Claude Debussy, Valery Gergiev, London Symphony Orchestra.

Acousticness

95%

Energy

2%

Liveness

9%

Speechiness

4%

Danceability

7%

Instrumentalness

78%

Loudness

45%

Valence

3%

Harmonic Matches

Find songs that harmonically matches to Prelude a l'apres-midi d'un faune, L. 86 by Claude Debussy, Valery Gergiev, London Symphony Orchestra. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Nocturne No.1 In B Flat Minor, Op.9 No.1 by Frédéric Chopin, Maurizio PolliniNocturne No.1 In B Flat Minor, Op.9 No.1Frédéric Chopin, Maurizio PolliniD♭ Major03B75
Mélancolie, FP 105 by Francis Poulenc, Aleck KarisMélancolie, FP 105Francis Poulenc, Aleck KarisD♭ Major03B108
Suite bergamasque, L. 75: III. Clair de lune by Claude Debussy, Alexis WeissenbergSuite bergamasque, L. 75: III. Clair de luneClaude Debussy, Alexis WeissenbergD♭ Major03B57
Nimrod by Edward Elgar, The Coldstream Guards BandNimrodEdward Elgar, The Coldstream Guards BandD♭ Major23B71
Six Pieces, Op. 51, TH 143: 6. Valse sentimentale. Tempo di Valse by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievSix Pieces, Op. 51, TH 143: 6. Valse sentimentale. Tempo di ValsePyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievD♭ Major13B108
À La Manière De Borodine by Maurice Ravel, André LaplanteÀ La Manière De BorodineMaurice Ravel, André LaplanteD♭ Major13B105
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) by Aaron Copland, Aurora Orchestra, Nicholas CollonCopland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts)Aaron Copland, Aurora Orchestra, Nicholas CollonD♭ Major13B82
Love Walked In by George Gershwin, Benjamin GrosvenorLove Walked InGeorge Gershwin, Benjamin GrosvenorD♭ Major13B125
Suite bergamasque, L. 75: 3. Clair de lune by Claude Debussy, Alice Sara OttSuite bergamasque, L. 75: 3. Clair de luneClaude Debussy, Alice Sara OttD♭ Major03B132
Lontano by György Ligeti, North German Radio Philharmonic Orchestra, Günter WandLontanoGyörgy Ligeti, North German Radio Philharmonic Orchestra, Günter WandD♭ Major03B79
Nimrod (Lux Aeterna) by Edward Elgar, Voces8Nimrod (Lux Aeterna)Edward Elgar, Voces8D♭ Major13B175
Rhapsody On A Theme Of Paganini, Op.43: Variation 18. Andante cantabile by Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinRhapsody On A Theme Of Paganini, Op.43: Variation 18. Andante cantabileSergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-SéguinD♭ Major13B88
Ravel: Miroirs, M. 43: V. La Vallée des cloches by Maurice Ravel, Bertrand ChamayouRavel: Miroirs, M. 43: V. La Vallée des clochesMaurice Ravel, Bertrand ChamayouD♭ Major03B132
Clair de Lune, L. 32 by Claude Debussy, Martin JonesClair de Lune, L. 32Claude Debussy, Martin JonesD♭ Major03B66
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivace by Béla Bartók, Fritz Reiner, Chicago Symphony OrchestraConcerto for Orchestra, Sz. 116, BB 123: I. Introduzione - Andante non troppo - Allegro vivaceBéla Bartók, Fritz Reiner, Chicago Symphony OrchestraD♭ Major13B130
6 Consolations, S. 172: No. 3 In D Flat Major (Lento, placido) by Franz Liszt, Daniel Barenboim6 Consolations, S. 172: No. 3 In D Flat Major (Lento, placido)Franz Liszt, Daniel BarenboimD♭ Major03B69
Chants du Rhin, WD 52: Les rêves by Georges Bizet, Nathanaël GouinChants du Rhin, WD 52: Les rêvesGeorges Bizet, Nathanaël GouinD♭ Major03B65
Miroirs: V. La vallée des cloches by Maurice Ravel, André LaplanteMiroirs: V. La vallée des clochesMaurice Ravel, André LaplanteD♭ Major03B69
Suite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressif by Claude Debussy, Alain PlanèsSuite bergamasque: Suite bergamasque: III. Clair de lune. Andante très expressifClaude Debussy, Alain PlanèsD♭ Major03B67
Agnus Dei by Samuel Barber, Voces8Agnus DeiSamuel Barber, Voces8B♭ Minor13A77
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) by Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraSchoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia)Arnold Schoenberg, Daniel Barenboim, Chicago Symphony OrchestraB♭ Minor13A76
Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo by Henryk Górecki, Dawn Upshaw, London Sinfonietta, David ZinmanSymphony No. 3, Op. 36: II. Lento e Largo - TranquillissimoHenryk Górecki, Dawn Upshaw, London Sinfonietta, David ZinmanB♭ Minor13A70
Barber: Adagio for Strings, Op. 11 by Samuel Barber, Sir Simon Rattle, Berliner PhilharmonikerBarber: Adagio for Strings, Op. 11Samuel Barber, Sir Simon Rattle, Berliner PhilharmonikerB♭ Minor13A74

Prelude a l'apres-midi d'un faune, L. 86 by Claude Debussy, Valery Gergiev, London Symphony Orchestra Information

This song is track #1 in Debussy: Prélude à l'après-midi d'un faune, La mer & Jeux by Claude Debussy, Valery Gergiev, London Symphony Orchestra, which has a total of 5 tracks. The duration of this track is 11:45 and was released on April 12, 2011. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Prelude a l'apres-midi d'un faune, L. 86 might be one of them, due to it's low energy and danceability.

Prelude a l'apres-midi d'un faune, L. 86 BPM

Prelude a l'apres-midi d'un faune, L. 86 has a BPM of 77. Since this track has a tempo of 77, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Prelude a l'apres-midi d'un faune, L. 86 Key

The key of Prelude a l'apres-midi d'un faune, L. 86 is D♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

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