"String poetic: II. Nocturne" by Jennifer Higdon, Jennifer Koh, Reiko Uchida was released on January 1, 2000. With this song being about 5 minutes long, at 4:46, "String poetic: II. Nocturne" by Jennifer Higdon, Jennifer Koh, Reiko Uchida is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Violin Recital: Koh, Jennifer - Higdon, J. / Harrison, L. / Adams, J. / Ruggles, C. (String Poetic) by Jennifer Koh. The song's track number on the album is #2 out of 14 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, String poetic: II. Nocturne is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since String poetic: II. Nocturne by Jennifer Higdon, Jennifer Koh, Reiko Uchida has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String poetic: II. Nocturne being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
Cold Mountain, Act I: Act I Scene 7: Mister, how much to ferry me across? (Inman, Veasey) | Jennifer Higdon, Isabel Leonard, Nathan Gunn, Santa Fe Opera Orchestra, Miguel Harth-Bedoya | C Major | 1 | 8B | 148 BPM | ||
Ravel / Arr. Grainger: Miroirs, M. 43: V. La vallée des cloches | Maurice Ravel, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D♭ Major | 0 | 3B | 140 BPM | ||
The Firebird Suite *: Firebird: Lullaby | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A♭ Minor | 0 | 1A | 66 BPM | ||
Three Piano Preludes: No. 2 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Road Movies, for Violin and Piano / I. Relaxed Groove | John Adams, Angèle Dubeau, La Pietà | D Major | 3 | 10B | 106 BPM | ||
Road Movies: II. Meditative | John Adams, Jennifer Koh, Reiko Uchida | A Minor | 0 | 8A | 81 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM |
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