Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano's 'Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro)' came out on August 1, 1997. The duration of Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro) is about 3 minutes long, at 3:20. Based on our data, "Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 38 in Donizetti: Poliuto by Gaetano Donizetti, Salvatore Cammarano, Maria Callas, Antonino Votto, Coro e Orchestra del Teatro alla Scala, Milano, Franco Corelli, Ettore Bastianini, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Lasciami in pace morire (Severo/Paolina/Poliuto/Nearco/Felice/Callistene/Coro) by Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
L'elisir d'amore / Act 2: "Dell'elisir mirabile" - "E bellissima" | Gaetano Donizetti, Luciano Pavarotti, Maria Casula, Dame Joan Sutherland, Spiro Malas, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Minor | 2 | 5A | 92 BPM | ||
Manon Lescaut: "Donna non vidi mai" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | B♭ Major | 2 | 6B | 83 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès) | Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris | C Major | 2 | 8B | 138 BPM |
Section: 0.7856009006500244
End: 0.7930736541748047