"Manon Lescaut: "Donna non vidi mai"" by Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis was released on January 1, 1993. The duration of Manon Lescaut: "Donna non vidi mai" is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Manon Lescaut: "Donna non vidi mai"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Nessun Dorma - Puccini's Greatest Arias". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Manon Lescaut: "Donna non vidi mai" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut: "Donna non vidi mai" by Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Se Bastasse Una Canzone | Luciano Pavarotti, Eros Ramazzotti, Steve Gadd, Pino Palladino, Rob Mathes, Robbie Kondor, Orchestra filarmonica di Torino, Marco Boemi | C Major | 7 | 8B | 172 BPM | ||
Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
De Curtis/ Arr Schifrin: Around the World Part 12: Torna a Surriento | Ernesto de Curtis, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | E♭ Minor | 3 | 2A | 80 BPM | ||
Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
La fille du régiment / Act 1: Ah! mes amis, quel jour de fête! | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
Miss Sarajevo - Live | Brian Eno, Bono, The Edge, Luciano Pavarotti, Orchestra filarmonica di Torino, Michael Kamen | E Major | 4 | 12B | 70 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM |
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