"Die Dreigroschenoper: Melodram / Pollys Lied" by Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe was released on March 29, 1999. The duration of Die Dreigroschenoper: Melodram / Pollys Lied is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Die Dreigroschenoper: Melodram / Pollys Lied's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kurt Weill, Ensemble Modern, H.K. Gruber's "Kurt Weill: Die Dreigroschenoper" album is number 13 out of 28. Based on our statistics, Die Dreigroschenoper: Melodram / Pollys Lied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Dreigroschenoper: Melodram / Pollys Lied by Kurt Weill, Ensemble Modern, H.K. Gruber, Max Raabe to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Opéra de Quat'sous - Complainte de Mackie: Complainte de Mackie | Kurt Weill, Julie Fuchs, Davy Sladek, Cédric Le Ru, Mathieu Reinert, Mathieu Adam, Florent Guepin, Denis Desbrières, Mathieu Martin, Samuel Jean | A Minor | 2 | 8A | 170 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Winterreise, D. 911: No. 24 Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | G Minor | 0 | 6A | 74 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
Symphony No. 1 in E Minor: III. Juba Dance. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 110 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
So You Want to Write a Fugue? - For 4 Voices and String Quaret - Remastered | Glenn Gould, Juilliard String Quartet, Vladimir Golschmann | C Minor | 2 | 5A | 167 BPM |
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