Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin's 'Symphony No. 1 in E Minor: III. Juba Dance. Allegro' came out on September 24, 2021. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 8 in Florence Price: Symphonies Nos. 1 & 3 by Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin. In terms of popularity, Symphony No. 1 in E Minor: III. Juba Dance. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony No. 1 in E Minor: III. Juba Dance. Allegro by Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come, Sweet Death | Johann Sebastian Bach, Eugene Ormandy, Philadelphia Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM | ||
Thaïs: Méditation (Arr. Knoth) | Jules Massenet, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | D Major | 1 | 10B | 116 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act III: No. 21, Spanish Dance | Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 2 | 11A | 104 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 3. Allegretto grazioso - Molto vivace | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E♭ Major | 2 | 5B | 145 BPM | ||
Symphony No. 1 in C Minor, Op. 11, MWV N 13: I. Allegro di molto - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Minor | 2 | 5A | 127 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D♭ Major | 1 | 3B | 118 BPM | ||
Habanera | Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Herve Niquet | A Major | 0 | 11B | 80 BPM |
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