"Notre Dame, Op. 2: Act II Scene 2: Intermezzo" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. The duration of Notre Dame, Op. 2: Act II Scene 2: Intermezzo is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Notre Dame, Op. 2: Act II Scene 2: Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Scene 2: Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Notre Dame, Op. 2: Act II Scene 2: Intermezzo by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variationen uber ein Husarenlied (Variations on a Hussar's Song): Adagio | Franz Schmidt, Malmö Symphony Orchestra, Vassily Sinaisky | A Major | 1 | 11B | 89 BPM | ||
Symphony No. 3: I. 1. Allegro moderato, maestoso | Aram Khachaturian, Robert Schumann Philharmonie, Frank Beermann | C Major | 3 | 8B | 93 BPM | ||
Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): I. Az intezett veszedelem (Threatening Danger) | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 115 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat | Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie | F Major | 1 | 7B | 73 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
La Tragédie de Salomé, Op. 50: I. Prélude | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Carmen-Suite Nr.1 und Nr.2 (excerpts), Nr.1: Les Dragons d'Alcalo | Georges Bizet, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner | G Major | 0 | 9B | 108 BPM | ||
Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
Section: 0.8813614845275879
End: 0.8856973648071289