"Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. With this song being about 5 minutes long, at 5:26, "Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 8 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4, Op. 90, "Italian": IV. Saltarello. Presto by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor "Accademico": I. Allegro pesante | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live | Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | G Minor | 2 | 6A | 74 BPM | ||
L'Africaine (The African Maid), Act I: Overture: Act V: Entr'acte | Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang | E♭ Major | 3 | 5B | 120 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
Étienne Marcel, R. 209, Act III, The Night of St. John, Before Notre Dame (Excerpts): Entrée des écoliers et des ribaudes | Camille Saint-Saëns, Residentie Orkest Den Haag, Jun Markl | D Major | 2 | 10B | 132 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Lyric Suite, Op. 54: I. Gjetergutt (Shepherd Boy): Andante espressivo | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | A Minor | 1 | 8A | 140 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: III. Rondo: Amabile | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | F Major | 1 | 7B | 97 BPM | ||
Meditating Orchestra | Anton Bruckner, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D♭ Major | 0 | 3B | 87 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM |
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