Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis's 'Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live' came out on April 19, 2024. Since Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 5 in Berlioz: Symphonie fantastique, Op. 14, H. 48 (Live) by Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice - Live by Hector Berlioz, Bavarian Radio Symphony Orchestra, Sir Colin Davis is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | F Minor | 1 | 4A | 102 BPM | ||
Symphony No. 3 in A Minor "Scottish", Op. 56: II. Vivace non troppo | Felix Mendelssohn, Maxim Emelyanychev, Scottish Chamber Orchestra | F Major | 2 | 7B | 128 BPM | ||
Zerline, S. 42, Airs de ballet (Excerpts): Le carnaval de Palerme | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | F Major | 3 | 7B | 112 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major | George Enescu, Orchestre National De France, Cristian Măcelaru | F Major | 2 | 7B | 85 BPM | ||
Symphony No. 33 in B flat, K.319: 4. Finale (Allegro assai) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Eugen Jochum | F Major | 2 | 7B | 94 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 6. Vivace | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM | ||
Oboe Concerto in D Major, TrV 292: I. Allegro moderato | Richard Strauss, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss Jansons | B♭ Major | 1 | 6B | 93 BPM | ||
Serenade: I. Phaedrus. Pausanias. Lento and Allegro | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM |
Section: 0.6713428497314453
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