"2 Romanian Rhapsodies, Op. 11: No. 1 in A Major" by George Enescu, Orchestre National De France, Cristian Măcelaru was released on April 12, 2024. 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major appears to be safe for all ages as it is not explicit. The song is number 1 out of 12 in Enescu: Symphonies Nos. 1-3; 2 Romanian Rhapsodies by George Enescu, Orchestre National De France, Cristian Măcelaru. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 Romanian Rhapsodies, Op. 11: No. 1 in A Major by George Enescu, Orchestre National De France, Cristian Măcelaru is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Symphony No. 3, Op. 21: II. Vivace, ma non troppo | George Enescu, Orchestre National De France, Cristian Măcelaru | C Major | 1 | 8B | 64 BPM | ||
L'enfant et les sortilèges, M. 71 / Pt. I: Adieu, pastourelles! | Maurice Ravel, Colette Herzog, Jane Berbié, Orchestre National De France, Lorin Maazel, R.T.F. Choeur De Radio France, R.T.F. Maitrise De Radio France | A Major | 1 | 11B | 119 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Philharmonie Südwestfalen, Nabil Shehata | E Minor | 1 | 9A | 134 BPM | ||
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): IV. Burlesque. Allegro con Brio | Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur | D Major | 2 | 10B | 81 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Roussel: Symphony No. 1 in D Minor, Op. 7, L. 8, "Le Poème de la forêt": I. Forêt d'hiver | Albert Roussel, Charles Dutoit, Orchestre National De France | F Major | 0 | 7B | 94 BPM | ||
Debussy: La Mer, L. 111a: III. Dialogue du vent et de la mer | Claude Debussy, Emmanuel Krivine, Orchestre National De France | D♭ Major | 2 | 3B | 84 BPM |
Section: 0.8755996227264404
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