"Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat" by Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie was released on January 1, 2009. Since Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Berlioz: Symphony Fantastique - Roman Carnival Overture - The Secret Judge Overture by Hector Berlioz, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony Fantastique in C Major, Op 14: V. Songe d' une nuit du Sabbat by Hector Berlioz, Alberto Lizzio, Süddeutsche Philharmonie is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
La jota aragonese | Various Artists | G Minor | 2 | 6A | 137 BPM | ||
La damnation de Faust, Op. 24: Rákóczy March "Hungarian March" | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 100 BPM | ||
Concert Suite From "Der Rosenkavalier", TrV 227d: Con molto agitato | Richard Strauss, Wiener Philharmoniker, Christian Thielemann | F Minor | 0 | 4A | 86 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | C Major | 0 | 8B | 114 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major | George Enescu, Orchestre National De France, Cristian Măcelaru | F Major | 2 | 7B | 85 BPM | ||
Overture "Rob Roy" | Hector Berlioz, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 124 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 78 BPM |
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