Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis's 'Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou' came out on March 10, 1998. The duration of Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 21 in FAURE: Orchestral Music by Gabriel Fauré. In terms of popularity, Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: III. in A flat major. Poco allegro | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM | ||
Album for the Young, Op. 140: No. 18 Serenade in Bb | The Gerst Ensemble | A Major | 2 | 11B | 107 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
2 Romanian Rhapsodies, Op. 11: No. 2 in D Major | George Enescu, Orchestre National De France, Cristian Măcelaru | D Major | 0 | 10B | 73 BPM | ||
Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | ||
La Bayadère / Act 3: No.41 Alla marcia - Allegro vivo | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 2 | 10B | 128 BPM |
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