"Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso" by Max Reger, Staatskapelle Dresden, Heinz Bongartz was released on January 1, 1972. The duration of Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Reger: Variations and Fugue on a Theme of Mozart". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7 - Andante grazioso by Max Reger, Staatskapelle Dresden, Heinz Bongartz having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
Concerto for Flute and Harp in C Major, KV. 299: II. Andantino | Wolfgang Amadeus Mozart, Jutta Zoff, Johann Walter, Staatskapelle Dresden, Otmar Suitner | B Major | 1 | 1B | 138 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
Gypsy Airs for Violin and Orchestra, Op. 20 | Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu | C Minor | 2 | 5A | 80 BPM | ||
Notre Dame, Op. 2: Intermezzo. Sehr zurückhalten - Langsam | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | D Major | 0 | 10B | 82 BPM | ||
Nimrod | Edward Elgar, Czech Philharmonic, Leopold Stokowski | F Major | 2 | 7B | 117 BPM | ||
Wagner: Rienzi, WWV 49: Overture | Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden | D Major | 3 | 10B | 103 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM |
Section: 0.6064786911010742
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