"Wagner: Rienzi, WWV 49: Overture" by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden was released on 1976. Wagner: Rienzi, WWV 49: Overture appears to be safe for all ages as it is not explicit. This song is part of Wagner: Rienzi by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden. The song's track number on the album is #1 out of 39 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Rienzi, WWV 49: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Rienzi, WWV 49: Overture by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Rienzi, WWV 49: Overture being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio italien, Op. 45, TH. 47 | Pyotr Ilyich Tchaikovsky, Chicago Symphony Orchestra, Daniel Barenboim | C Minor | 0 | 5A | 82 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Die Walküre / Dritter Aufzug: So tatest du, was so gern zu tun ich begehrt | Richard Wagner, Hans Hotter, Birgit Nilsson, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 72 BPM | ||
Il turco in Italia: Overture | Gioachino Rossini, Prague Sinfonia, Christian Benda | D Major | 2 | 10B | 72 BPM | ||
Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Bernard Haitink | B♭ Major | 2 | 6B | 134 BPM | ||
Rosamunde, Op. 26, D. 797 (Excerpts): No. 9, Ballet Music. Andantino | Franz Schubert, Swedish Chamber Orchestra, Thomas Dausgaard | G Major | 0 | 9B | 86 BPM | ||
Peer Gynt Suite No. 2, Op. 55: II. Arabisk dans (Arabian Dance) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | C Major | 1 | 8B | 137 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Humperdinck : Hänsel und Gretel : Overture to Act 1 | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | C Major | 0 | 8B | 92 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM |
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