"Il turco in Italia: Overture" by Gioachino Rossini, Prague Sinfonia, Christian Benda was released on February 4, 2014. Since Il turco in Italia: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rossini: Complete Overtures, Vol. 4". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. Il turco in Italia: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il turco in Italia: Overture by Gioachino Rossini, Prague Sinfonia, Christian Benda having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No.2 in B minor: 3. Andante | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 135 BPM | ||
Scheherazade, Op. 35: Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Maria Larionoff, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 2 | 5A | 119 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Strauss II, J: Im Krapfenwald'l, Op. 336 | Johann Strauss II, Bramwell Tovey, Hallé | C Major | 1 | 8B | 106 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Mozart: Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti | D Major | 2 | 10B | 154 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | ||
Eugene Onegin, Op. 24, TH 5: Polonaise. Moderato | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 97 BPM |
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