Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti's 'Mozart: Le nozze di Figaro, K. 492: Sinfonia' came out on 1987. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti, Wiener Philharmoniker's "Mozart - Le nozze di Figaro" album is number 1 out of 75. Based on our statistics, Mozart: Le nozze di Figaro, K. 492: Sinfonia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Le nozze di Figaro, K. 492: Sinfonia by Wolfgang Amadeus Mozart, Wiener Philharmoniker, Riccardo Muti to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | B♭ Major | 1 | 6B | 153 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Symphony No.5 In B Flat, D.485: 3. Menuetto (Allegro molto) | Franz Schubert, Wiener Philharmoniker, Karl Böhm | G Minor | 1 | 6A | 94 BPM | ||
Violin Concerto In E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 103 BPM | ||
Lucio Silla, K. 135: Overture | Wolfgang Amadeus Mozart, Roberto Sacca, Annick Massis, Monica Bacelli, Veronica Cangemi, Julia Kleiter, Stefano Ferrari, Teatro la Fenice Chorus, Teatro la Fenice Orchestra, Tomáš Netopil | A Major | 1 | 11B | 79 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra) | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | E Major | 2 | 12B | 75 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 5 | 6B | 131 BPM | ||
Mefistofele: Prologue - Intermezzo | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 83 BPM |
Section: 0.8471426963806152
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