On July 7, 2023, the song "Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba"" was released by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields. The duration of Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 32 in Academy of St Martin in the Fields - Handel by George Frideric Handel, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Handel: Solomon, HWV 67, Act 3: Sinfonia. "The Arrival of the Queen of Sheba" by George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 3. Allegro gentile | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 156 BPM | ||
Trumpet Concerto in D: 4. Allegro | Georg Philipp Telemann, Håkan Hardenberger, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 3 | 11B | 114 BPM | ||
La Fille aux Cheveux de Lin (From 24 Preludes, L. 117) | Claude Debussy, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | B♭ Major | 1 | 6B | 72 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 1 in E Major for solo violin, RV269 "La Primavera": 3. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 101 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio | Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists | D♭ Minor | 0 | 12A | 103 BPM | ||
Förster: Horn Concerto in E-Flat Major: III. Allegro | Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 102 BPM | ||
String Quartet No. 2 in D: Nocturne | Alexander Borodin, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 77 BPM | ||
The Harmonious Blacksmith (Air and Variations in E Major from Suite No. 5, Book I) | George Frideric Handel, Igor Kipnis | B♭ Minor | 3 | 3A | 78 BPM | ||
Respighi: Gli uccelli, P. 154: I. Preludio | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 71 BPM |
Section: 0.6477015018463135
End: 0.6510424613952637