"Gypsy Airs for Violin and Orchestra, Op. 20" by Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu was released on 1958. Since Gypsy Airs for Violin and Orchestra, Op. 20 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Sarasate, Wieniawski & Paganini: Gypsy Airs". In this album, this song's track order is #1. Gypsy Airs for Violin and Orchestra, Op. 20 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gypsy Airs for Violin and Orchestra, Op. 20 by Pablo de Sarasate, Dresdner Philharmonie, Heinz Bongartz, Ion Voicu having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
Liebeslied | Fritz Kreisler, Julia Krasko, Olga Kondratieva | A Major | 0 | 11B | 136 BPM | ||
Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
Caprice Basque, Op. 24 | Pablo de Sarasate, Julia Fischer, Milana Chernyavska | A Minor | 2 | 8A | 106 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Vivaldi: L'estro armonico, Concerto for Two Violins in A Minor, Op. 3 No. 8, RV 522 "Per eco in lontano": I. Allegro | Antonio Vivaldi, Nigel Kennedy, Daniel Stabrawa, Berliner Philharmoniker | B♭ Major | 1 | 6B | 115 BPM | ||
Walton: Viola Concerto: I. Andante comodo | William Walton, David Aaron Carpenter, Vladimir Jurowski, London Philharmonic Orchestra | A Minor | 1 | 8A | 129 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM |
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