Heinrich Wilhelm Ernst, Ning Feng's 'The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale' came out on January 1, 2010. The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Solo". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale by Heinrich Wilhelm Ernst, Ning Feng having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 125 BPM | ||
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: I. Adagio - Allegro vivace | Felix Mendelssohn, Artemis Quartet | A Minor | 1 | 8A | 99 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: V. Finale. Presto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Minor | 3 | 7A | 112 BPM | ||
Clarinet Quintet in A Major, K. 581: IV. Allegretto con variazioni | Wolfgang Amadeus Mozart, The Boston Symphony Chamber Players | A Major | 0 | 11B | 176 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Popper: Dance of the Elves, Op. 39 | David Popper, Edgar Moreau, Pierre-Yves Hodique | D Major | 2 | 10B | 88 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) | Franz Liszt, Daniil Trifonov | B♭ Minor | 2 | 3A | 68 BPM | ||
Violin Concerto No. 9 in A Minor, Op. 104: I. Allegro maestoso | Charles-Auguste de Bériot, Takako Nishizaki, RTBF Symphony Orchestra, Alfred Walter | A Minor | 1 | 8A | 88 BPM |
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