12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto)
Franz Liszt, Daniil Trifonov
Transcendental - Daniil Trifonov Plays Franz Liszt (Etudes S. 139, S. 141, S. 144, S. 145)
5:52 October 7, 2016
BPM
68
Key
B♭ Minor
Camelot
3A

Embed

Share Link

12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) - Franz Liszt, Daniil Trifonov Information

Acousticness
99%
Danceability
21%
Energy
18%
Instrumentalness
86%
Liveness
8%
Loudness
66%
Speechiness
3%
Valence
4%
Popularity
Loudness
-20.449 dB

Summary

"12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto)" by Franz Liszt, Daniil Trifonov was released on October 7, 2016. 12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 23 in the song's album "Transcendental - Daniil Trifonov Plays Franz Liszt (Etudes S. 139, S. 141, S. 144, S. 145)". In this album, this song's track order is #12. 12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) BPM

With 12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) by Franz Liszt, Daniil Trifonov having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

12 Études d'exécution transcendante, S. 139: No. 12 Chasse neige (Andante con moto) Key

B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante by Béla Bartók, Fülöp RánkiFor Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. AndanteBéla Bartók, Fülöp RánkiD Major110B73 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2Felix Mendelssohn, Péter NagyF♯ Minor111A166 BPM
Bagatelles et impromptus: VII. Love by Bedřich Smetana, William HowardBagatelles et impromptus: VII. LoveBedřich Smetana, William HowardA Major011B71 BPM
Piano Sonata No.23 in F minor, Op.57 -Piano Sonata No.23 in F minor, Op.57 -"Appassionata": 2. Andante con motoLudwig van Beethoven, YUNDID♭ Major03B109 BPM
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin by Claude Debussy, Daniel BarenboimPréludes / Book 1, L. 117: 8. La fille aux cheveux de linClaude Debussy, Daniel BarenboimF♯ Major02B128 BPM
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro by Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisPiano Concerto No. 2 Op. 102 in F Major: I. AllegroDmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor CurrentzisB♭ Major26B73 BPM
Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso by Modest Mussorgsky, Ivo PogorelichPictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, CapricciosoModest Mussorgsky, Ivo PogorelichE♭ Minor02A117 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto by Robert Schumann, Mikhail PletnevSymphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il cantoRobert Schumann, Mikhail PletnevD♭ Minor112A69 BPM
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) by Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long YuTambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister)Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long YuG Minor16A157 BPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7140500545501709

End: 0.7183542251586914