Modest Mussorgsky, Ivo Pogorelich's 'Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso' came out on January 1, 1997. With Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ivo Pogorelich's "Mussorgsky: Pictures at an Exhibition / Ravel: Valses nobles" album is number 6 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, Capriccioso by Modest Mussorgsky, Ivo Pogorelich to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Fantasia in C minor, K.475: Allegro | Wolfgang Amadeus Mozart, András Schiff | B♭ Major | 1 | 6B | 66 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
Lieder ohne Worte, Op.102: No. 1. Andante un poco agitato in E minor, MWV U 162 | Felix Mendelssohn, Daniel Barenboim | E Minor | 0 | 9A | 52 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Franck: Cello Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato | César Franck, Jacqueline du Pré, Daniel Barenboim | D Major | 0 | 10B | 99 BPM | ||
16 Waltzes, Op. 39: 11. In B Minor | Johannes Brahms, Aloys Kontarsky, Alfons Kontarsky | D♭ Minor | 2 | 12A | 130 BPM | ||
Piano Sonata No. 10 in C Major, K. 330: II. Andante cantabile | Wolfgang Amadeus Mozart, Vladimir Horowitz | D Major | 1 | 10B | 128 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM |
Section: 0.7506377696990967
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