Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra's 'Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto' came out on October 30, 2015. Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Shostakovich: Cello Concertos Nos 1 & 2". In this album, this song's track order is #1. In terms of popularity, Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto by Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Hall of the Mountain King (From "Peer Gynt", Op. 23) | Edvard Grieg, Gautier Capuçon, Anouchka Hack, Aurélien Pascal, Caroline Sypniewski, Charles Hervet, Jeein You, Julia Hagen | A♭ Minor | 2 | 1A | 113 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM | ||
Night on Bare Mountain | Modest Mussorgsky, Valery Gergiev, Mariinsky Orchestra | F Major | 3 | 7B | 76 BPM | ||
Heure exquise (From La Veuve joyeuse) | Gautier Capuçon, Orchestre de chambre de Paris, Lionel Bringuier | C Major | 0 | 8B | 141 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | ||
Suggestion diabolique, Op. 4 No. 4 | Sergei Prokofiev, Stefania Argentieri | C Minor | 3 | 5A | 91 BPM |
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