"Walton: Viola Concerto: I. Andante comodo" by William Walton, David Aaron Carpenter, Vladimir Jurowski, London Philharmonic Orchestra was released on April 20, 2018. Since Walton: Viola Concerto: I. Andante comodo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in David Aaron Carpenter, London Philharmonic Orchestra's "Motherland" album is number 11 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Walton: Viola Concerto: I. Andante comodo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Walton: Viola Concerto: I. Andante comodo by William Walton, David Aaron Carpenter, Vladimir Jurowski, London Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
Film music for Henry V: 2 Pieces for Strings: Touch Her Soft Lips and Part | William Walton, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro | Ludwig van Beethoven, Hélène Grimaud, Staatskapelle Dresden, Wladimir Jurowski | E♭ Major | 2 | 5B | 133 BPM | ||
Symphony No. 8 in G Major, Op. 88: II. Adagio | Antonín Dvořák, Sir Charles Mackerras, London Philharmonic Orchestra | C Major | 0 | 8B | 133 BPM | ||
Fidelio, Op. 72: Overture - Live | Ludwig van Beethoven, Vladimir Jurowski, London Philharmonic Orchestra | E Major | 2 | 12B | 130 BPM | ||
Belshazzar's Feast: Then sing aloud to God | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | F Major | 3 | 7B | 48 BPM | ||
Kreisler - Liebesfreud | Sergei Rachmaninoff, Idil Biret | D Major | 0 | 10B | 136 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 3. Allegro vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 89 BPM |
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