"Belshazzar's Feast: Then sing aloud to God" by William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel was released on May 24, 2004. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Walton: Belshazzar's Feast / Crown Imperial by William Walton, Paul Daniel. The song's track number on the album is #7 out of 11 tracks. Belshazzar's Feast: Then sing aloud to God is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Belshazzar's Feast: Then sing aloud to God by William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel has a tempo of 48 beats per a minute, the tempo markings of this song would be Lento (slowly). With Belshazzar's Feast: Then sing aloud to God being at 48 BPM, the half-time would be 24 BPM with a double-time of 96 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Traditional: Danny Boy | Xuefei Yang | A Major | 2 | 11B | 74 BPM | ||
Façade: No. 18, Scotch Rhapsody | William Walton, Roderick Williams, Tamsin Dalley, Orchestra of the Swan, Bruce O'Neil | B♭ Major | 2 | 6B | 102 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM | ||
Elizabethan Masque | Fredrico Bayco, Pro Arte Orchestra, George Weldon | A Minor | 1 | 8A | 64 BPM | ||
Slower - Suppose Within the Girdle (From "Henry V") [Arr. E. Watson for Orchestra & Narrator] | William Walton, Kevin Whately, Orchestra of the Swan, Bruce O'Neil | D Minor | 1 | 7A | 88 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
6 Préludes: No. 2. Très calme | Jean Roger-Ducasse, Joel Hastings | B Major | 0 | 1B | 132 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM |
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