"Overture "Rob Roy"" by Hector Berlioz, Orchestre Symphonique de Montréal, Charles Dutoit was released on June 14, 1988. Overture "Rob Roy" appears to be safe for all ages as it is not explicit. The song is number 5 out of 6 in Berlioz: Harold in Italy etc by Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Overture "Rob Roy"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Overture "Rob Roy" by Hector Berlioz, Orchestre Symphonique de Montréal, Charles Dutoit is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620: Overture | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 80 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Rex tremendae | Hector Berlioz, Michael Schade, Toronto Mendelssohn Choir, Toronto Mendelssohn Youth Choir, Elora Festival Orchestra, Noel Edison | B♭ Major | 0 | 6B | 79 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Dies irae | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | B♭ Major | 1 | 6B | 139 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM |
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