"La Tragédie de Salomé, Op. 50: I. Prélude" by Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu was released on May 10, 2024. La Tragédie de Salomé, Op. 50: I. Prélude appears to be safe for all ages as it is not explicit. There are a total of 23 in the song's album "Schmitt: La Tragédie de Salomé & Chant élégiaque". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. La Tragédie de Salomé, Op. 50: I. Prélude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Tragédie de Salomé, Op. 50: I. Prélude by Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fountains of Rome, P. 106: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 0 | 8B | 60 BPM | ||
The Phantom Melody | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 91 BPM | ||
Rakastava, Op. 14: III. Good Evening!... Farewell! Andantino - Doppio più lento - Lento assai | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Americana | Marcel Barsotti | F Major | 4 | 7B | 81 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Violin Concerto, Op. 30: Ia. Cadenza | Alberto Ginastera, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Legende, Op. 66 | Florent Schmitt, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 71 BPM | ||
Piano Concerto No. 2 in C Minor: IV. Allegro deciso, assai moderato | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | E♭ Major | 1 | 5B | 103 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Ecuus Ferus I | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D♭ Minor | 0 | 12A | 85 BPM |
Section: 0.599083662033081
End: 0.602292537689209