"Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique" by Benjamin Britten, Ensemble Allegria was released on September 2, 2022. With Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique only contains only one song in the album, we like to consider this song as a single. Based on our data, Norway was the country where this track was produced or recorded. Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique by Benjamin Britten, Ensemble Allegria has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
5 Stücke im Volkston, Op. 102: 1. Vanitas vanitatum (Mit Humor) | Robert Schumann, Mstislav Rostropovich, Benjamin Britten | B Minor | 1 | 10A | 86 BPM | ||
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
On Wenlock Edge: Is my team ploughing? | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Duke Quartet | D Major | 4 | 10B | 80 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 3. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 3 | 7B | 173 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM |
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