- BPM
- 139
- Key
- D♭ Major
- Camelot
- 3B
Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio - Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann Information
- Acousticness
- 98%
- Danceability
- 41%
- Energy
- 28%
- Instrumentalness
- 36%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 3%
- Valence
- 52%
- Popularity
- 17%
- Loudness
- -16.77 dB
Summary
Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann's ' "Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio" was released on its scheduled release date, February 10, 2014. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 14 in C.P.E. Bach: Magnificat, Wq. 215 by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio BPM
The tempo marking of Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio by Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater: No. 6, Quis non posset contritari. Andantino (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | E Minor | 1 | 9A | 103 BPM | |
 | Kyrie, RV 587: Kyrie eleison | Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon | B Minor | 2 | 10A | 112 BPM | |
 | Salve Regina in A minor - Edited by Robert King: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | E Major | 1 | 12B | 166 BPM | |
 | Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | |
 | Trauermusik: 11. Choral: "Herr Jesu Christ, wahr'r Mensch und Gott" | Johann Ludwig Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 1 | 10B | 80 BPM | |
 | Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | |
 | Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | |
 | Missa Brevis In C Major Kv 259, Orgelsolo Messe: Benedictus | Nicol Matt, Reinhard Geller, Chrisof Fischesser, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Barbara Werner, Petra Labitzke, Wolfgang Amadeus Mozart, Daniel Sans, Jens Wollenschläger | G Major | 1 | 9B | 113 BPM | |
 | Nisi Dominus, HWV 238: IV. Sicut sagittae | George Frideric Handel, Andreas Wolf, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | |
 | Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM |
- ISRC
- FRZ141301080
- Label
- L-M Records/RCA Records