Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon made "Kyrie, RV 587: Kyrie eleison" available on September 30, 2008. The duration of Kyrie, RV 587: Kyrie eleison is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Kyrie, RV 587: Kyrie eleison's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: Sacred Music, Vol. 3 by Antonio Vivaldi, Aradia Ensemble, Kevin Mallon. The song's track number on the album is #27 out of 31 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Kyrie, RV 587: Kyrie eleison is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Kyrie, RV 587: Kyrie eleison by Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Kyrie, RV 587: Kyrie eleison being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata No.147: Herz und Mund und Tat und Leben: Chorale: Jesu bleibet meine Freude - studio | The Sixteen | F♯ Major | 1 | 2B | 83 BPM | ||
Laudate Jehovam omnes gentes (Psalm 117), TWV 7:25 | Georg Philipp Telemann, Allabastrina Choir, Allabastrina, Elena Sartori | A Major | 1 | 11B | 137 BPM | ||
Symphony in C Major, J-C 4: I. Allegrissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 138 BPM | ||
Nulla in mundo pax, R.630: 1. Nulla in mundo pax (Larghetto) | Antonio Vivaldi, Elly Ameling, Jeffrey Tate, English Chamber Orchestra, Vittorio Negri | D Minor | 0 | 7A | 99 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Dixit Dominus, HWV 232: I. Soli & Chorus "Dixit Dominus" | George Frideric Handel, Jordi Savall, Marta Matheu, Anthony Roth Costanzo, Makoto Sakurada, Le Concert Des Nations, La Capella Reial De Catalunya | F♯ Minor | 1 | 11A | 103 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM |
Section: 0.6135087013244629
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