Macbeth: End of Act 4 – The Earl of Douglas’s Lament - Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon Information

"Macbeth: End of Act 4 – The Earl of Douglas’s Lament" by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon was released on March 1, 2006. With Macbeth: End of Act 4 – The Earl of Douglas’s Lament being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 27 in Arnold, S.: 6 Overtures, Op. 8 / Macbeth (Incidental Music) by Samuel Arnold. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Macbeth: End of Act 4 – The Earl of Douglas’s Lament's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Macbeth: End of Act 4 – The Earl of Douglas’s Lament BPM

The tempo marking of Macbeth: End of Act 4 – The Earl of Douglas’s Lament by Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.

Macbeth: End of Act 4 – The Earl of Douglas’s Lament Key

This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.