"Concerto grosso No. 10 in F Major: I. Preludio" by Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit was released on November 18, 2008. The duration of Concerto grosso No. 10 in F Major: I. Preludio is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Concerto grosso No. 10 in F Major: I. Preludio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Platti: Concerti grossi after Corelli". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Concerto grosso No. 10 in F Major: I. Preludio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto grosso No. 10 in F Major: I. Preludio by Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 10 in C Minor, I.83: III. Adagio | Giovanni Benedetto Platti, Members of L'Arte dell'Arco, Francesco Galligioni | E♭ Major | 0 | 5B | 121 BPM | ||
Fortuna, du scherzest mit mir | Philipp Heinrich Erlebach, Akademie für Alte Musik Berlin, Annette Dasch | F♯ Major | 2 | 2B | 67 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": I. Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 127 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Sonata Da Camera No. 7 in D minor, Op. 5: III. Sarabanda (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | D♭ Minor | 1 | 12A | 139 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Sonatae unarum didium, seu a violino solo: Sonata No. 4 | Johann Heinrich Schmelzer, Georg Kallweit, Björn Colell | A♭ Major | 1 | 4B | 104 BPM | ||
Griselda, Op. 114, Atto Secondo, Scena 3: Aria. Agitata da fiera procella (Corrado) | Alessandro Scarlatti, Kobie Van Rensburg, Akademie für Alte Musik Berlin, René Jacobs | F♯ Major | 1 | 2B | 92 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM |
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