"Trauermusik: 11. Choral: "Herr Jesu Christ, wahr'r Mensch und Gott"" by Johann Ludwig Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann had its release date on March 1, 2011. With This song being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Ludwig Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann's "Johann Ludwig Bach: Trauermusik" album is number 11 out of 27. Trauermusik: 11. Choral: "Herr Jesu Christ, wahr'r Mensch und Gott" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trauermusik: 11. Choral: "Herr Jesu Christ, wahr'r Mensch und Gott" by Johann Ludwig Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Theodora, HWV 68, Overture: Trio | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 1 | 10B | 89 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: I. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 1 | 11B | 120 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Trio Sonata in A Major, A02: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: II. Allegro | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | C Minor | 1 | 5A | 66 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: III. Dolce | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D♭ Major | 0 | 3B | 128 BPM |