"Messe basse: Kyrie" by Gabriel Fauré, Ruth Holton, The Cambridge Singers, John Scott, John Rutter was released on April 1, 2010. The duration of Messe basse: Kyrie is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Messe basse: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 16 in Faure: Requiem - Messe basse by Gabriel Fauré, The Cambridge Singers, John Rutter. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Messe basse: Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe basse: Kyrie by Gabriel Fauré, Ruth Holton, The Cambridge Singers, John Scott, John Rutter is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Sancta Maria, mater Dei, K. 273 | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 1 | 7B | 77 BPM | ||
Psalm 8: Psalm VIII | Henry Lawes, Choir of St John's, Elora, Michael Bloss, Noel Edison | C Major | 2 | 8B | 131 BPM | ||
Exultate Justi! | Lodovico Grossi da Viadana, Gloriae Dei Cantores, Elizabeth C. Patterson | A Major | 2 | 11B | 94 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
Be Strong and of Good Courage | George Dyson, The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary | B♭ Major | 2 | 6B | 61 BPM |
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