- BPM
- 95
- Key
- E Minor
- Camelot
- 9A
4 Quartette, Op. 92: I. O schöne Nacht - Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber Information
- Acousticness
- 95%
- Danceability
- 12%
- Energy
- 12%
- Instrumentalness
- 51%
- Liveness
- 11%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -23.626 dB
Summary
"4 Quartette, Op. 92: I. O schöne Nacht" by Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber was released on June 17, 2020. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "O schöne Nacht. Romantische Chormusik". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, 4 Quartette, Op. 92: I. O schöne Nacht is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
4 Quartette, Op. 92: I. O schöne Nacht BPM
With 4 Quartette, Op. 92: I. O schöne Nacht by Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
4 Quartette, Op. 92: I. O schöne Nacht Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | |
 | Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | |
 | The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 132 BPM | |
 | Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | |
 | Ubi Caritas II (Through Infinite Ages) | Ola Gjeilo, Westminster Williamson Voices, James Jordan | C Major | 1 | 8B | 138 BPM | |
 | 2 Romantische Gesänge, Op. 106: II. Der Weidenbaum | Josef Rheinberger, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | B♭ Major | 1 | 6B | 111 BPM | |
| 4 Notturnos, Op. 22: II. Nacht ist wie ein stilles Meer | Heinrich von Herzogenberg, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | B♭ Major | 1 | 6B | 111 BPM | |
 | A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Gloria | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | D Minor | 4 | 7A | 70 BPM | |
 | Hymn to the Eternal Flame (From to Be Certain of the Dawn) | The Singers - Minnesota Choral Artists, Matthew Culloton | D♭ Major | 1 | 3B | 169 BPM | |
 | Romanzen und Balladen, Book 1, Op. 67: Ungewitter | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | F♯ Minor | 1 | 11A | 166 BPM |
- ISRC
- DEB112000112
- Label
- L-M Records/RCA Records
Section: 0.7103676795959473
End: 0.7142236232757568