Johann Sebastian Bach, Itzhak Perlman's 'Bach, JS: Partita for Solo Violin No. 2 in D Minor, BWV 1004: I. Allemanda' came out on April 15, 2024. With this song being about 5 minutes long, at 4:53, "Bach, JS: Partita for Solo Violin No. 2 in D Minor, BWV 1004: I. Allemanda" by Johann Sebastian Bach, Itzhak Perlman is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Itzhak Perlman, Johann Sebastian Bach's "Itzhak Perlman Plays Bach & Vivaldi" album is number 14 out of 57. On top of that, United Kingdom appears to be the country where this track was created. Bach, JS: Partita for Solo Violin No. 2 in D Minor, BWV 1004: I. Allemanda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, JS: Partita for Solo Violin No. 2 in D Minor, BWV 1004: I. Allemanda by Johann Sebastian Bach, Itzhak Perlman to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in B-Flat Major, K.266/L.48/P.251: Andante | Domenico Scarlatti, Benjamin Frith | B♭ Major | 0 | 6B | 151 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Chromatic Fantasia And Fugue In D Minor, BWV 903 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | A Major | 2 | 11B | 140 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM |
Section: 2.6282224655151367
End: 2.632244110107422