Maria João Pires's 'Sonata No. 16 in B Flat Major, II. Adagio' came out on January 1, 2010. Sonata No. 16 in B Flat Major, II. Adagio is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Maria João Pires, Wolfgang Amadeus Mozart's "Mozart: Piano Sonata Selection" album is number 11 out of 12. In terms of popularity, Sonata No. 16 in B Flat Major, II. Adagio is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sonata No. 16 in B Flat Major, II. Adagio by Maria João Pires to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: Waldszenen, Op. 82: III. Einsame Blumen | Robert Schumann, Maria João Pires | B♭ Major | 1 | 6B | 97 BPM | ||
Trout Quintet: Andante | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | C Major | 0 | 8B | 104 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Concerto grosso Op. 3 No. 6 in D major / D minor: Concerto grosso Op. 3 No. 6 in D major / D minor: I | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Major | 2 | 3B | 109 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: III. Adagio | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 0 | 1B | 84 BPM |
Section: 0.6537353992462158
End: 0.6610829830169678