Lucia di Lammermoor, Act III, Scene 3: Tombe degli avi miei - Gaetano Donizetti, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra Information

Acousticness: 97%
Danceability: 26%
Energy: 7%
Instrumentalness: 0%
Liveness: 14%
Loudness: 67%
Speechiness: 5%
Valence: 10%
Popularity: 1%
Loudness: -20.055 dB

Summary

"Lucia di Lammermoor, Act III, Scene 3: Tombe degli avi miei" by Gaetano Donizetti, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra was released on 1959. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "The Great Carlo Bergonzi". In this album, this song's track order is #7. In terms of popularity, Lucia di Lammermoor, Act III, Scene 3: Tombe degli avi miei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Lucia di Lammermoor, Act III, Scene 3: Tombe degli avi miei BPM

With Lucia di Lammermoor, Act III, Scene 3: Tombe degli avi miei by Gaetano Donizetti, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Lucia di Lammermoor, Act III, Scene 3: Tombe degli avi miei Key

This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Norma / Act 1: Sgombra è la sacra	Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge	B♭ Major	0	6B	137 BPM
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio)	Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco	E Major	2	12B	89 BPM
Vaga luna che inargenti	Vincenzo Bellini, Cecilia Bartoli, James Levine	A♭ Major	0	4B	101 BPM
Manon: "En fermant les yeux"	Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume	D Major	1	10B	82 BPM
Alcina, HWV 34 / Act 1: Tornami a vagheggiar - Live	George Frideric Handel, Dame Joan Sutherland, Cappella Coloniensis, Ferdinand Leitner	A Major	2	11B	131 BPM
Don Pasquale, Act II Prima Scena: E se fia che ad altro oggetto (Ernesto)	Gaetano Donizetti, Gösta Winbergh/Mirella Freni/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra	D♭ Major	2	3B	134 BPM
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba"	Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan	E Minor	2	9A	83 BPM
Otello: Ave Maria (Atto IV)	Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge	A♭ Major	0	4B	88 BPM
Als die alte Mutter	Victoria de los Ángeles	D Major	2	10B	81 BPM
Les Contes d'Hoffmann / Act 1: Entr'acte	Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge	E Major	2	12B	100 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6147868633270264

End: 0.6197710037231445