"Manon: "En fermant les yeux"" by Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume was released on November 8, 2019. The duration of Manon: "En fermant les yeux" is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Manon: "En fermant les yeux"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 22 in Benjamin Bernheim by Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume. Manon: "En fermant les yeux" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Manon: "En fermant les yeux" by Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Così fan tutte, K. 588 / Act I: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Minor | 4 | 7A | 110 BPM | ||
Hérodiade - Acte I - Scène II : Elle a fui le palais, elle a quitté ces lieux (Hérode) | Henri Gremont, Jules Massenet, Paul Milliet, Thomas Hampson, Michel Plasson, Orchestre Du Capitole De Toulouse | A Minor | 2 | 8A | 82 BPM | ||
I Puritani / Act 1: Or dove fuggo mai?..Ah! per sempre io ti perdei | Vincenzo Bellini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | A♭ Major | 1 | 4B | 73 BPM | ||
La Belle Hélène: Au mont Ida trois deesses | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 177 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM |
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