"Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram" by Carl Orff, Peter Hall/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Halle Choir, Peter Hall, Maurice Handford, Hallé was released on March 4, 2002. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 27 in the song's album "Orff Carmina Burana". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram by Carl Orff, Peter Hall/Hallé Choir/Hallé Orchestra/Maurice Handford/Ronald Frost, Halle Choir, Peter Hall, Maurice Handford, Hallé having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marche pour la cérémonie des Turcs (Jean-Baptiste Lully) | Jean-Baptiste Lully, Le Concert Des Nations | A Major | 3 | 11B | 144 BPM | ||
Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt | Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur | G Major | 1 | 9B | 76 BPM | ||
Hänsel und Gretel: Prelude "The Witch's Ride" | Engelbert Humperdinck, Gürzenich Orchester Köln, Sir John Pritchard | F Major | 2 | 7B | 85 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Music for the Royal Fireworks, HWV 351: IV. La rejouissance | George Frideric Handel, Le Concert Spirituel, Herve Niquet | D♭ Major | 4 | 3B | 107 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM | ||
William Tell Overture | Gioachino Rossini, Arthur Fiedler, Boston Pops Orchestra | E Major | 6 | 12B | 169 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra | C Minor | 2 | 5A | 82 BPM |
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