Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra's 'Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio' came out on 1967. Since Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 37 in Erich Leinsdorf Conducts Beethoven Symphonies Nos. 1-9 by Ludwig van Beethoven, Erich Leinsdorf. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio by Ludwig van Beethoven, Erich Leinsdorf, Boston Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto | Luigi Boccherini, György Éder, Danubius Quartet | A Major | 0 | 11B | 126 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM | ||
Waltz No.6 in D Flat, Op.64 No.1 -"Minute Waltz" | Frédéric Chopin, Nikita Magaloff | D♭ Major | 1 | 3B | 79 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 3. Allegro molto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 94 BPM | ||
Main Title - From "Star Wars: A New Hope" | John Williams, Wiener Philharmoniker | C Major | 4 | 8B | 94 BPM | ||
Obertura De Guillermo Tell (Final) | Gioachino Rossini, Inma Shara | E Major | 6 | 12B | 145 BPM |
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