Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur's 'Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt' came out on January 1, 1998. With this song being about 5 minutes long, at 4:54, "Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt" by Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Classical Favourites, so we believe that "Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt" is a single. Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Rhapsody No.2 in D minor, S.359 No.2 (Corresponds with piano version no. 2 in C sharp minor) - Orch. Doppler - Excerpt by Franz Liszt, Gewandhausorchester Leipzig, Kurt Masur is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayane Suite No. 2: V. Lullaby | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Minor | 1 | 6A | 83 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
The Thieving Magpie: Allegro | Gioachino Rossini, David Parry, Philharmonic Orchestra | F♯ Minor | 2 | 11A | 97 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Einleitung | Richard Wagner, Lance Ryan, Johannes Martin Kränzle, Jochen Schmeckenbecher, Gregory Frank, Susan Bullock, Anja Fidelia Ulrich, Claudia Mahnke, Meredith Arwady, Angel Blue, Britta Stallmeister, Jenny Carlstedt, Katharina Magiera, Frankfurt Opera Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | A♭ Major | 2 | 4B | 116 BPM | ||
The Four Seasons: 'Winter' [Concerto in F minor op. 8 no.4]: Allegro non molto | Antonio Vivaldi, Anthony Marwood | F Minor | 1 | 4A | 154 BPM | ||
Impromptu "Nocturne", S. 191 | Franz Liszt, Vladimir Horowitz | D♭ Minor | 2 | 12A | 70 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | ||
Symphony No.9 in E minor, Op.95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM |
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