Britten: War Requiem, Op. 66: XIX. Libera me - "It Seemed that out of Battle I Escaped" (Tenor, Baritone) - Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra Information

Acousticness: 97%
Danceability: 13%
Energy: 8%
Instrumentalness: 22%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -26.515 dB

Summary

"Britten: War Requiem, Op. 66: XIX. Libera me - "It Seemed that out of Battle I Escaped" (Tenor, Baritone)" by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra had its release date on June 12, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 19 out of 20 in Britten: War Requiem by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Saint Lucia. In terms of popularity, Britten: War Requiem, Op. 66: XIX. Libera me - "It Seemed that out of Battle I Escaped" (Tenor, Baritone) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Britten: War Requiem, Op. 66: XIX. Libera me - "It Seemed that out of Battle I Escaped" (Tenor, Baritone) BPM

The tempo marking of Britten: War Requiem, Op. 66: XIX. Libera me - "It Seemed that out of Battle I Escaped" (Tenor, Baritone) by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Britten: War Requiem, Op. 66: XIX. Libera me - "It Seemed that out of Battle I Escaped" (Tenor, Baritone) Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Symphony No.9 In D / 1. Satz: Andante comodo	Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan	D Major	1	10B	172 BPM
Symphony of Psalms: II. Expectans expectavi Dominum	Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	B♭ Minor	0	3A	83 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	G Minor	0	6A	85 BPM
Saint Nicolas, Op. 42: Nicolas and the Pickled Boys	Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, The Aldeburgh Festival Orchestra	B Minor	1	10A	110 BPM
Ciacona in G Minor, Z. 730	Henry Purcell, English Chamber Orchestra, Benjamin Britten	G Minor	2	6A	78 BPM
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro	Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten	B♭ Major	1	6B	109 BPM
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo	Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	168 BPM
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance	Richard Strauss, Fritz Reiner	F Major	0	7B	63 BPM
Symphony in F Major, Op. 8, "The Cotswolds": II. Elegy: Molto adagio (In Memoriam William Morris)	Gustav Holst, Ulster Orchestra, Joann Falletta	G Major	1	9B	133 BPM

ISRC: LC5295000064
Label: L-M Records/RCA Records