"The Firebird (L'oiseau De Feu) - Suite (1919): Introduction" by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung was released on January 1, 2009. The duration of The Firebird (L'oiseau De Feu) - Suite (1919): Introduction is about 3 minutes long, at 3:14. Based on our data, "The Firebird (L'oiseau De Feu) - Suite (1919): Introduction" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 7 in the song's album "Stravinsky: The Firebird (Ballet Suite)". In this album, this song's track order is #1. The Firebird (L'oiseau De Feu) - Suite (1919): Introduction is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird (L'oiseau De Feu) - Suite (1919): Introduction by Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonies of Wind Instruments (original 1920 version) | Igor Stravinsky, Twentieth Century Classics Ensemble, Robert Craft | G Minor | 1 | 6A | 170 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | F Major | 1 | 7B | 103 BPM | ||
Brook Green Suite: III. Dance | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 82 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | G Major | 1 | 9B | 124 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5a. Songe d'une nuit du Sabbat - Larghetto - Allegro | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM |
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