"Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato" by Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck was released on March 5, 2021. Since Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Paris". In this album, this song's track order is #4. In terms of popularity, Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Allegro moderato by Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | E♭ Major | 1 | 5B | 112 BPM | ||
Cantata, BWV 204 "Ich bin vergnügt": Aria "Die Schätzbarkeit der weiten Erde" | Johann Sebastian Bach, Christine Schäfer, Hilary Hahn, Munich Chamber Orchestra, Alexander Liebreich, Rosario Conte, Kristin von der Goltz, Naoki Kitaya | F Major | 1 | 7B | 86 BPM | ||
Violin Concerto No. 8 in A Minor, Op. 47 (Im Form einer Gesangsszene): III. Allegro moderato | Louis Spohr, Hilary Hahn, Swedish Radio Symphony Orchestra, Eije Oue | A Minor | 1 | 8A | 124 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: I. Grave | Eugène Ysaÿe, Hilary Hahn | D Major | 2 | 10B | 85 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Danse Sacrée et Danse Profane, L. 103: I. Danse Sacrée | Claude Debussy, Ernitine Stoop, Nieuw Sinfonietta Amsterdam | D Minor | 0 | 7A | 99 BPM | ||
Piano Sonata No. 2 In B Flat Minor, Op. 35: 1. Grave - Doppio movimento | Frédéric Chopin, Maurizio Pollini | A♭ Major | 1 | 4B | 136 BPM |
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